|| Introduction. Discovering Dobell country -- 1. Newcastle boy -- 2. Learning from the masters -- 3. Art and war -- 4. The prize and the cost -- 5. "A cruel thing" -- 6. Escape artist -- 7. The place of much water -- 8. Allawah -- 9. Down the street -- 10. The watering holes -- 11. Nurturing talent -- 12. Visitors -- 13. The world beyond -- 14. "Sir Bill" and other honours -- 15. Losing Bill and keeping memories.
By 1945, William Dobell was what so many artists desire but few in Australia had achieved. He was a household name. But the most famous artist in the land was a broken man. His Archibald Prize-winning portrait of Joshua Smith became the subject of a sensational legal case, challenging not just Dobell's right to the prize, but the very idea of art itself. Dobell won the legal battle but lost so much else. His health was shattered, his desire to paint was wiped out, and his zest for life had been dulled. He had to get away. Only 120 kilometres north of Sydney, Wangi Wangi is far removed from big city life. Dobell had come to Wangi to escape fame, but he found community and friendship. In this beguiling little place, William Dobell rediscovered the passion to paint, and the joy of life. Through years of research and interviews with Dobell's friends and long-time locals, acclaimed author and former Wangi resident Scott Bevan discovered how the village protected the artist, cared and posed for him, drank and partied with him. Wangi loved him as one of their own. To the world, he was Sir William Dobell, acclaimed artist. To Wangi, he was simply Bill. "Bill" is the story of one of Australia's greatest artists and the times he lived through. It explores how ambition and talent took a working class boy a long way in the world, and how the reaction to one painting almost destroyed him. It is a celebration of community, and how one man finally discovers where he belongs - in the unlikeliest of places.