January/February 2010:
Curators and art on the move [The Gallery Ark exhibition, Horsham Regional Art Gallery] / Humphrey Clegg p14.
Together alone: Australian and New Zealand fashion [Drape: Classic Mode to Contemporary Dress exhibition, Myer Fashion and Textiles Galleries] / Paola Di Trocchio p15.
Love, loss and intimacy [National Gallery of Victoria exhibition] / Allison Holland p16.
On the mend: NGV conservation [the conservation of fragile Indian palampore, Chinoiserie: Asia in Europe, 1620-1840 exhibition] / Bronwyn Cosgrove p17.
Did you know? : NGV chronicles [history of the National Gallery of Victoria] / Vicki Costa and Paul Reynolds p18.
New to the collection [Eugénie Crawford bequest, André Lhote, Cubism] p20.
Perspective: Keith Deutsher [National Gallery of Victoria benefactor, Wedgewood collecting] / Amanda Dunsmore p24.
Art on the move: 1950’s NGV Travelling Exhibitions [regional Victorian venues] / Kirsty Grant p28.
Ron Mueck [Australian sculptor, National Gallery of Victoria exhibition] / David Hurlston p32.
Chinoiserie: Asia in Europe, 1620-1840 [National Gallery of Victoria exhibition] / Carol Cains and Matthew Martin p36.
Hokusai [exhibition of the woodblock print series “Thirty-six views of Mount Fuji” by Katushika Hokusai] / Wayne Crothers and Julietta Park p40.

July/August 2010:
NGV chronicles [Felton bequest] / Gerard Vaughan and Jessemyn Schippers p19.
New to the collection [portrait of Cecil Webb, John Everett Millais, gift from families of David Michael Blanche]. p24.
Master pieces for Melbourne: 150th anniversary gift [Victorian State Government donation, “Ned Kelly” by Sidney Nolan] p26.
Perspective: Harrell Fletcher [American social practice and relational aesthetics artist, participatory exhibitions] / Alex Baker p30.
Max Beckmann: a fractured vision [Melbourne Winter Masterpieces 2010, European Masters: Städel Museum, 19th – 20th Century exhibition] / Ted Gott p34.
A moment in time [Timelines: Photography and Time exhibition] / Isobel Crombie p42.
Australian made: 100 years of Fashion [National Gallery of Victoria exhibition] / Laura Jocic p48.

September/October 2010:
NGV chronicles [Modern Masters: Manet to Matisse exhibition] / Luke Doyle p17.
On the mend: NGV conservation [Felton Bequest, Lace in Fashion exhibition, Brisé fan] / Trude Ellington p18.
On the mend: NGV conservation [“Lady Rous” by William Beechey, gift of Lady Stradbroke through the Australian Government’s Cultural Gifts Program, Masterpieces for Melbourne campaign] p19.
Masterpieces for Melbourne [Felton Bequest, Alec Mingelmanganu, Rover Thomas] /Judith Ryan p24.
John Davis and the river of life [John Davis: Presence exhibition] / David Hurlston p30.
Stormy weather: contemporary landscape photography [National Gallery of Victoria exhibition] / Isobel Crombie p36.
Mari Funaki: objects [National Gallery of Victoria exhibition] / Jane Devery p42.
Lace in fashion / Roger Leong and Paola Di Trocchio [National Gallery of Victoria exhibition] p46.

January/February 2011:
NGV chronicles [NGV support groups] / Jessemyn Schippers p20.
On the mend: NGV conservation [“The Crossing of the Red Sea” by Nicholas Poussin, Felton Bequest] / Carl Villis p21.
Curators on the move [Tjukurrthanu: Origins of Western Desert art exhibition, Papunya Tula Artists] / Luke Scholes p23.
Perspective: Robyn Archer [NGV memories] p26.
Masterpieces for Melbourne: three Japanese treasures join the collection / Wayne Crothers p30.
The triumph of Gustave Moreau / [Gustave Moreau and the Eternal Feminie exhibition] / Ted Gott p34.
Magnificent obsession: the extraordinary collections of Dr Robert Wilson [Dr Robert Wilson Collection of 19th Century Ceramics and Glass] / Amanda Dunsmore p38.
Luminous cities: new cities [Luminous cities: Photographs of the Built Environment exhibition] / Susan van Wyck p42. Celebrating 50 years of the NGV Women’s Association p68.

March/April 2011:
In just a few words [memories of the NGV, Leo Schofield, Rosslynd Piggott, David McAllister, Gwyn Hanssen, Ramona Koval, Max Walker, Amanda Smith] p22.
NGV chronicles [Ian Potter Centre] / Helen Goninon p23.
On the mend: NGV conservation [cast of “The Thinker” by Auguste Rodin, Felton bequest] p24.
Masterpieces for Melbourne [Leadership gift of Loti and Victor Smorgon Fund, “Untitled – Yellow – 1970 – 73” by Tony Tuckson] / Judith Ryan p28.
Eugene von Guérard: the travelling artist and the New World [Eugene von Guérard: Nature Revealed exhibition] / Ruth Pullin p32.
ManStyle: the dandy and the peacock [National Gallery of Victoria exhibition, Australian and International men’s fashion] / Paola Di Trocchio, Laura Jocic, Roger Leong, Kate Somerville, Danielle Whitfield p40.
The wondrous land: colonial art on paper [National Gallery of Victoria exhibition] / Alisa Bunbury p46.

May/June 2011:
In just a few words [memories of the NGV, Barry Tuckwell, Geoffrey Bartlett, John Kelly, Jennifer Keyte, Chrissy Sharp, Paul Bangay, Alexi Freeman, Laith McGregor, Livinia Nixon, Virginia Trioli, Adam Elliot] p26.
On the mend: NGV conservation [“Weatherboard Creek Falls, Jamieson’s Valley, New South Wales 1862” by Eugene von Guérard] / Michael Varcoe-Cocks p28.
NGV chronicles [NGV directors] / Vicki Costa p32.
Masterpieces for Melbourne [Loti Smorgon’s private collection] p38.
Vienna: art and design: Klimt, Schiele, Hoffmann, Loos [Melbourne Winter Masterpieces 2011] / Christian Witt-Dörring p44.
The Gallia family, the Hoffmann treasures [Vienna: Art and Design: Klimt, Schiele, Hoffmann, Loos, Melbourne Winter Masterpieces 2011] / Tim Bonyhady p49.
Talking Top Arts [Top Arts: VCE 2010 exhibition, Bill Noonan, Nicola Rossdale, Jack Daye, Nicole Malishev] / Emma Henderson p54.
The Salon Room [Salon Room at the National Gallery of Victoria] / Margaret Barca p64.
The NGV and the art of Asia [“Cat” by Huang Yongyu, “Five hundred arhats” by Ito Jakuchu, “Noah’s Ark” / Mae Anna Pang, Wayne Crothers and Carol Cains p68.
Retrospective [memories of the ‘old’ National Gallery of Victoria on Swanston Street] / Patrick McCaughey p74.
Retrospective [recollection of family’s association with the National Gallery of Victoria] / Susan McCulloch p76.
A short history of the NGV collection p82.

September/October 2011:
In just a few words… [memories of the NGV, Michael Veitch, Gwyn Hanssen Pigott, Marina Prior, Raymond Gill, Rosslynd Piggott, Emily Floyd, Toni Jordan] p22.
NGV chronicles [Shaw Research Library’s ephemera collection] / Luke Doyle p24.
Sho-Kannon Bosatsu: a generous gift [Allan and Maria Myers’ gift] / Wayne Crothers p30.
The Felton Gift: treasures for the NGV collection [“The plain of Gennevilliers, yellow fields” by Gustave Caillebotte, Barak Commissions, “Ideas of Barak” by Vernon Ah Kee, “Marks and witness” by Brook Andrew, “untitled (muyan)” by Jonathan Jones, indigenous shields] / Ted Gott and Judith Ryan p32.
Tjukurrtjanu: origins of Western Desert art [Papunya Tula artists, early paintings 1971-1972] / Judith Ryan p36.
Graphic viewpoint from Vienna [Melbourne Winter Masterpieces 2011, Vienna: Art & Design exhibition]/ Laurie Benson p44.
Kolomon Moser: poetic artist of the Secession / Matthew Martin p48.
Mixing it up: art, fashion, politics & music [David McDiarmind, Men’s fashion, Manstyle exhibition] / Sally Gray p52.
A tranquil landscape, a history revealed [“Morning on the Murray near Blanchetown” by H.J Johnstone, bequeathed by Duncan Elphinstone McBryde Leary in 2011] / Beckett Rozentals p56.

January/February 2012:
Board [NGV Studio exhibition, skate culture] p22.
Curators on the move [Victoria and Albert Museum, Madame Gough’s Scrap album fancy dress / Paola Di Trocchio p23.
On the mend: NGV conversation [“The Finding of the True Cross” by Cola dell’Amatrice] / John Payne p24.
Masterpieces for Melbourne: a Bernard Buffet painting from the École de Paris joins the NGV Collection / Ted Gott [Eugenie Crawford Bequest, Chimney still life (“Nature motre á la cheminée”) by Bernard Buffet] p28. Perspective: Linda Jackson [Australian fashion] / Laura Jocic p32.
Bush couture: a world of colour and shape [Ian Potter Centre: NGV Australia exhibition, Linda Jackson Bush Couture exhibition] / Laura Jocic p34.
Degenerate art: a matter of life and death [Nazi Germany, art censorship, The Mad Square: Modernity in German Art 1910 – 1937 exhibition, Art Gallery of New South Wales travelling exhibition] / Laurie Benson p38.
Invisible objects, visible space [Bauhaus, The Mad Square: Modernity in German Art 1910 – 1937 exhibition] / Matthew Martin p42.
New vision for a modern world [Lásszló Moholy-Nagy, avant-garde photography, The Mad Square: Modernity in German Art 1910 – 1937 exhibition] / Maggie Finch p44.
Fred Kruger: Intimate landscapes [Landscape photographer, mid-nineteenth-century Victoria, Fred Kruger: Intimate Landscapes exhibition, Ian Potter Centre: NGV Australia exhibition] / Isobel Crombie p48.

July/August 2012:
Up front [International Fashion and Textiles Collection, addition of a pair of shoes from 1954 by Rayne] / Paola Di Trocchio p20.
Inside view [The Guardians sculptures, installation sculptures around Melbourne, Bruce Armstrong (artist)] / Nixz Kerr p22.
NGV conservation [“The Crossing of the Red Sea” by Nicolas Poussin] / Carl Villis p24.
The violin lesson [“The Violin Lesson” by Tom Roberts, 9 by 5 Impression Exhibition (1889), donated by the descendants of William Spalding (subject of the painting) / Humphrey Clegg p28.
Perspective: Tony Ellwood [incoming NGV Director, reflections on career highlights and return to NGV] p32.
Josephine: the magnificent Empress [Melbourne Winter Masterpieces 2012 Napoleon: Revolution to Empire, Josephine Bonaparte biography, “Empress Josephine” by Jean-Baptiste Regnault] / Amanda Dunsmore p36.
The four horsemen: apocalypse, death and disaster [National Gallery of Victoria exhibition, prints and drawings] / Cathy Leahy p42.
In Granada: inspired by the light [The Joseph Brown Collection, National Gallery of Victoria exhibition, “A Moorish doorway” by Tom Roberts, “Granada (Lorca’s Country)” by John Olsen] / Humphrey Clegg p48.

September/October 2012:
Two new colonial books join the NGV collection [“The Voyage of Governor Phillip to Botany Bay” (first official account of the colony and complied in London from reports sent by Phillip), “Journal of Voyage to New South Wales” by Surgeon General Job White, Stuart Leslie Foundation funding] p20.
NGV staff on the move [Clemenger Travel Award, conservation imaging] / Narelle Wilson p22.
NGV studio: a year in review / Beckett Rozentals p27.
NGV conservation [“The Crossing of the Red Sea” by Nicolas Poussin] / MaryJo Lelyveld p30.
Masterpieces for Melbourne [“The Young Mother” by John Longstaff] / Elena Taylor p34.
Perspective: Frances Lindsay [NGV Deputy Director, career highlights] p36.
Visions of a new world: the language of Napoleonic period design [Melbourne Winter Masterpieces 2012 Napoleon: Revolution to Empire exhibition, home furnishings and decor] / Matthew Martin p40.
The human face of the Revolution: Joseph Cange, the prison clerk [Melbourne Winter Masterpieces 2012 Napoleon: revolution to Empire exhibition]/ Sophie Matthiesson p44.
The new Asian galleries: over 4000 years of Asian art [The Chinese Gallery (The Myer Family Gallery). The Japanese Gallery (The Pauline Gandel Gallery of Japanese Art), The South and South East Asian Gallery (The Myer Family Gallery) / Mae Anna Pang, Wayne Crothers and Carol Cains p46.
Celebrating 10 years of The Ian Potter Centre: NGV Australia at the Federation Square / Frances Lindsey p54.

January/February 2013:
A toast to Kings over the water: the secret symbolism in Jacobite glass [“The Shelly bowl and dish” engraved with the Shelly crest, Kings over the water exhibition] p27.
A figure of Christ for the NGV Collection [purchased with funds donated by Xavier College, David Byrne, Jack Rush and anonymous donors] Inside view [“Boulevard Montmarte morning, cloudy weather” by Camille Pissaro, Felton Bequest] / Jemma Altmeier p29.
NGV Conservation [“Divine Comedy” by William Blake, technical examination, British Watercolours 1760-1900: The Age of Splendour exhibition, Felton Bequest] / Louise Wilson p32.
Masterpieces for Melbourne: Oribe tea bowl [tea bowl, purchased with funds donated by the Mitsubishi Corporation] / Wayne Crothers p34.
Perspective: Marina Ferretti Bocquillon [Neo-Impressionist specialist] p40.
Monet’s garden: the Musée Marmottan Monet, Paris [Melbourne Winter Masterpieces 2013] p44.
Neo-Impression: Seurat, Signac and Luce [Radiance: the Neo-Impressionists exhibition, Maximilien Luce, Georges Seurat, Paul Signac] / Ted Gott p46.
Just sing what you feel [John Campbell, Ian Potter Centre, NGV Australia exhibition] / Maggie Finch p50.
Travelling Tjukurrtjanu [Tjukurrtjanu: Origins of Western Desert Art exhibition on display at the Musée du Quai Branly, Paris] / Janelle Borig p58.
New to the collection [“Untitled (lunchbox) 1998” by Rirkrit Tiravanija / Jane Devery p62.
Design for dance: inside Ballet & Fashion [Ballet & Fashion exhibition, Richard Nylon, millinery, Toni Maticevski, fashion design, Philip Adams, choreography / Roger Leong p66.
In conversation: Thomas Demand and Jeff Wall [edited extract of conversation facilitated by ABC presenter Fenella Kernebone] p70.
Masterpieces for Melbourne: Chairman’s report [Masterpieces for Melbourne Campaign, fundraising] / Bruce Parncutt p74.

May/June 2014:
Gaultier the grand heads to Melbourne [The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk exhibition] / Alenka Csomor p12.
Dutch vase in gallery’s sights [purchase of seven piece pyramidal flower vase, Delft earthenware] p14.
Art takes flight [“You, me and the flock” by Juan Ford, auction for The Neighbourhood Fund”] / Julia Anderson p15.
The master of Madrid [Italian Masterpieces from Spain’s Royal Court exhibition, Miguel Zugaza (Prado Director)] / Stephanie Bunbury p20.
In studio: Mathery [Erika Zorzi, Matteo Sangalli, Pastello: Draw Act, NGV for KIDS program, Truby and Florence Williams Charitable Trust] / Gabriella Coslovich p28.
In conversation with [Mary Featherston, Mid-Century Modern: Australian Furniture Design exhibition] / Gabriella Coslovich p36.
Make: Damien Wright [Australian woodworker] / Lucy Hamilton p44.
What I’d take home [Anna Plunkett, Luke Sales, “Dark Hillside, 1967” by Fred Williams, “Tsar, candelabrum” by Baccarat, France] p54.
Fashion and fiction: Fashion Detective [Ian Potter Centre, Fashion Detective exhibition, crime writers short stories in response to Gallery’s collection of nineteenth-century clothing and accessories, “The Beqeust” a short story by Sulari Gentill] / Danielle Whitfield p60.
Scottish splendour restored [conservation of “Entrance to Glen Etive” by Waller Hugh Paton, Auld Lang Syne: Images of Scottish Australia from First Fleet to Federation exhibition, The Art Gallery of Ballarat / Sandi Mitchell p64.
Young at art [Melbourne Girls’ College, “The Virgin and Child” by Simon Marmion, student artwork p66.
Last Word [Judith Gorr, art curator, indigenous art] p92.

July/August 2014:
Australian art in the Korean spotlight / Alenka Csomor p12.
Sounds of Iraq [“Three love songs” video installation by Adel Abidin] / Nur Shkembi p13.
On the hunt for a missing Fairweather [Iain Fairweather, TarraWarra Museum of Art (Healesville), “On the lake” painting missing since 1971] / Alenka Csomor p15.
Acquisition: Federation Court lights up with neon bears [Loti and Victor Smorgon Fund, new commission, “You started it…I finish it” by Paola Pivi, installation designed for Federation Court] p18.
Music in the house [NGV’s music program, Andrew Clark, Jae Laffer] / Jo Roberts p22.
In studio: Robert Jacks [Robert Jacks: Order & Variation exhibition, Ian Potter Centre, Australian painter, sculptor and printmaker] / Kate Ballis p30.
Make: John Dermer [Australian potter] / Kate Ballis p38.
Athol Shmith [Australian studio portrait and fashion photographer] / Michael Shmith p48.
In conversation with [David Shrigley, David Shirgley exhibition, British visual artist] / Gabriella Coslovich p56.
Exhibition: Bushido: Way of the Samurai [Samurai armour, helmets, saddles, firearms, NGV Australia exhibition] / Wayne Crothers p62.
Collection: Reimaging the seventeenth and eighteenth centuries [exhibiting European art at the NGV] / Isobel Crombie p66.
What I’d take home [Gabriel Martin, “Sideboard 1867” designed by E.W Godwin, manufactured by William Watt London] p68.
Young at art [Williamstown High School, NGV ‘Young Researchers’ program “La chimera (A chimera)” by Jacopo Ligozzi, student artwork] p72.
Last word [Jae Laffer] p92.


SEPTEMBER-OCTOBER 2014: The revolution continues [Jean Paul Gaultier] p22. In Studio [Emily Floyd] p30. Make: Wade Marynowsky p38. In conversation with Carsten Holler p52.

November/December 2014:
Research for the NGV Triennial begins at the Gwangju Biennale, South Korea / Isobel Crombie p12.
Melbourne Now still making its mark [Helen Johnson, Princess Hill Primary School, On Top of the World: Flags for Melbourne project / Hanna Rother-Gelder p14.
New fashion group funds bold Prada coat [Fashion and Textiles Supporters Group, Bertocchi family funding, Prada Spring-Summer 2014 collection] / Paola Di Trocchio p15.
Aboriginal art centres: the good, the bad and the ugly [Ursula Hoff Contemporary Arts Lecture] / Julian Murphy p15.
Open studios in the Daylesford Macedon Ranges / Gabriella Coslovich p16.
David Bowie is… coming to ACMI [David Bowie Is exhibition] / Alenka Csomor p16.
Big designs for Christmas [Big Design Market, Melbourne’s Royal Exhibition Building] / Gabriella Coslovich p17.
Obituary: Robert Hunter [Australian artist, minimalism, paintings] p18.
Romancing the kids [Express Yourself: Romance Was Born for Kids exhibition, Anna Plunkett, Luke Sales] / Janice Breen Burns and Kate Ballis p22.
Special feature: NGV members [Bishop John Bayton, Summer Bramblebee, Susan McDougall, Archie Bourtsos, Martin Stone, Peter Couchman, Ilana Litwin, Sophie Leete] p32.
In studio: Rone / Alenka Csomor and Kate Ballis [Tyrone Wright, Street Art, The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk] p36.
Make: Takahiro Iwasaki [“Reflection Model (Itsukushima)”, NGV commissioned work, building models] p44.
Exhibition: Truly, madly, Mambo [Australian surf wear, Reg Mombassa, Mambo: 30 Years of Shelf-Indulgence exhibition, Ian Potter Centre] / Gabriella Coslovich and Ingvar Kenne p54.
In conversation with: Alex Prager [American art photographer and filmmaker, “Face in the Crowd” digital video work, “Crowd #9 (Sunset Five)”, “Crowd #11 (Cedar and Broad Sheet)”] / Julian Murphy p60.
What I’d take home [Marcia Langton, “Eagle Story” by Kanytjupayi Benson] / Marcia Langton p70.
Young at art [Essendon Keilor College, Egyptian canopic jar, NGV Education Studio, student artwork] p72.
Last word [Jean Paul Gaultier] p95.

JANUARY-FEBRUARY 2015: In Studio: John Wolseley p34. Make: Jamie North p44. Medieval Moderns: The Pre-Raphaelite Brotherhood p52. Michael Gudinski p60.

MAY-JUNE 2015: Contemporary Indigenous Art p22. In Studio: Sareth Svay p34. Adam Weinberg p60.

SEPTEMBER-OCTOBER 2015: Lurid Beauty: Australian Surrealism and its Echoes p22. John Wardle Architects p36. Rigg Design Prize p42. Tony Garifalakis p50.

JULY 2016:
Vale Inge King (26.11.1915-23.04.2016) / Jane Eckett p14.
How to make an Australian quilt [exhibition Making the Australian Quilt: 1800-1950] / Mem Capp p17.
Architecture of faith [design by Glenn Murcutt of the new Australian Islamic Centre and the NGV exhibition about the design and the architect] / Nur Shkembi p50.
Bruce Armstrong: an anthology of strange creatures / David Hurlston p62.
200 years of Australian fashion: writing competition / Yuzuha Oka p87.

OCTOBER: 2016:
James Wyatt's Neoclassical commission for a grand estate [Henham Park Suffolk 18th century furniture gifted to the NGV] p15.
Artists in conversation: John Olsen and Ben Quilty p29.
Spring at the NGV [redesign of the Grollo Equiset Garden] p32.
Australian botanical trail [botanical art in the NGV collections] p54.
M@ STUDIO architects [2016 NGV summer architecture commission] p72.

Renamed NGV Magazine November 2016

NOVEMBER 2016:
The story-tellers: Exchange, relationships and cultural navigation in aboriginal art / Tim Acker p14.
Romancing the stone [Sir Edgar Bertram Mackennal] / David Hurlston p52.
Blanche Tilden [Mary Featherston and Blanche Tilden] / Simon LeAmon p59.

JANUARY 2017:
Summer with Aimee Fairman p14.
Tools of the trade [Sienna Thompson, NGV Product Development Coordinator] p16.
Time- Piece [Viktor and Rolf's fashion dolls at the NGV] / Miranda Wallace p27.
Portrait provocations [NGV's Australian portrait collection] p24.
Steaphan Paton / Ender Baskan p44.
Partizia Moroso [chair designer featured in the NGV's Culture of the Contemporary Chair] p53.
New to the collection [Picasso ceramics] p60.
The year ahead at NGV [winter masterpieces Van Gogh and the seasons, Lawrence Weiner, Festival of Photography, Hokusai, Dior, art book fair] p70.
The year in acquisitions [Jess Johnson Ixia Gate 2015, Francois Marie Poncet Venus 1782, bedding cover or hanging, Louis Majorelle Display Cabinet c. 1900, Patricia Urquiola Fjord Armchair 2002, Patju Presley Markurapiti 2015, John Wolseley After Fire- Spiny Cheeked Honeyeaters at Lake Monibeong 2009-11, Albert Tucker, John Batman Meets Eliza Callaghan 1971, Bill Henson Untitled 2008/09, Japanese Kimono and Accessories c. 1930s, The Dominique Sirop Collection, Jim Dine Bill Clinton 1992 p74. Tegan Higginbotham and William Quiller Orchardson's The First Cloud 1887 p80.
Creative Sparks [Cherrie Miriklis-Pavlou] p84.
Books [Uro] p93.
Last word [Simon Hall from Tripod] p94.

MARCH 2017:
Melbourne design week p14.
Museum Life [Senior Publicity Coordinator for the NGV Magan Patty] p17.
Bill Henson p30.
Zoe Croggon p38.
The mouse is my camera [Patrick Pound] / Peter Hill p42.
Brook Andrew p52.
Ross Coulter / Amelia Winata p58.
William Eggleston portraits p62.
Chairs are not just for sitting on [creating the contemporary chair:the Gordon Moffat gift] p66.
My NGV [David Rosetzky] p82.

MAY 2017:
Mixing prints [senior creator of international decorative arts and antiquities Amanda Dunsmore] p37.
Women in leadership p44.
Andrew Rogers / Lisa Marie Corso p57.
Scott Tanner and the Great Hall ceiling / Greta Voller p64.
New to the collection: contemporary chairs p68.
Private tour [Ronnie Scott's tour of the exhibition Every Brilliant Eye: Australian art of the 1960s.] p72.
Creative sparks [Louise Patrick and her shoes inspired by the Van Gogh and the seasons exhibition] p82.

JULY 2017:
Sidney Nolan's Wimmera series p12. Vale Robert Wilson / Dr Isobel Crombie p13.
On display: the Campbell-Petty fashion research collection / Felicity Pitt p14.
Museum life [curator of children's programs at the NGV Kate Ryan] p16.
Fiona Hall: uneasy seasons p20. Akio Makigawa p33.
Jim Dine p55.
Artist to artist [NGV works of art that resonate with Victorian College of the Arts alumni] p58.
The fusion of art and technology p64.
Jacqueline Foti-Lowe p69.
The precious periphery [Holly McGowan-Jackson and the frames at the NGV] p72.
My NGV [Miss Betty Collins] p78.
Creative sparks [Julia Gorman] p82.


SEPTEMBER 2017:
Making news [winner 2017 NGV Architecture commission announced: the Garden Wall by Retallack Thompson] p10.
Museum life [Dr Isobel Crombie] p14.
Brave new world [Australia in the 1930s] p16.
The sketchers [Emma Ashmere responds to Grace Cossington Smith's work The Bridge in-curve] p21.
Svetlana [Svetlana Lloyd] p30.
Australia 1948 [Dior's new look collection in Sydney 1948] / Danielle Whitfield p32.
Gareth Sansom / Sebastian Smee p34.
Women in design [Harriet Frishmuth] / Ted Gott p46.
Photography in focus / Zara Stanhope p50.
My NGV [John Brack's Collins St, 5pm] / Greta Voller p68.
Colour story [cornflower blue in the NGV collection] / Sophie Matthiesson, Amanda Dunsmore and Carol Cains p72.
Collection insider [NGV textiles collection and the Dior exhibit] p74.

NOVEMBER 2017:
Collection appeal [God's Eye installation] p14.
Museum life [Judith Ryan] p16.
Feature [contemporary Australian art and the installation The Pool] / Julie Ewington p22.
Del Kathryn Barton / Naomi Tosic p26. Studio [Helen Maudsley] / Gabriella Coslovich p30.
Creative sparks [Mel O'Callaghan] p36.
A place to swim [The Pool] / Caroline Clements and Dillon Seitchik-Reardon p40.
The art of mindfullness / Madeleine Dore p50.
Disruptive Asia: Asia society Australia at NGV p54.
Sissel Tolaas / Elisha Buttler p61.
Werte Bem Vinda Welcome [Victoria Amazonica] p66.
My NGV [John Payne and Ronald Vermeulen and Turner's Dunstaburgh Castle painting] p76.

DECEMBER 2017:
Making news [NGV Triennial, 2017 summer architecture commission] p10.
Museum life [Ingrid Rhule, Peter King, and Michael Burke] p14.
Collection appeal [Dali Trilogy of the Desert: Mirage 1946] p26.
Philanthropy and NGV Triennial p28. Learning from practice and practising from learning [NGV Triennial and Simon Maidment and Ewan McEoin] p34.
Change [Triennial theme] p38.
News of a difference-or why Triennials work / William L. Fox p40.
My NGV [Brodie Neill] p44.
Interview: Tala Madani and Nathaniel Mellors p54.
Creative sparks [Ben Quilty] p60.
TeamLab p68.
Writers respond [Bella Li and Lucy Van respond to Neri Oxman's work Mask 1, Series 1, 2016] p72.
Transcript: Triennial voices [Paula Loh and Mon Qu] / Timothy Moore p76.
Interview: Analia Saban and Jonathan Owen p80. Guo Pei's legend / Paola Di Trocchio p84.
Last word [Kushana Bush] p92.


MARCH 2018:
Museum life [marketing at the NGV] p16.
Collection appeal [Dali's Trilogy of the Desert] / Dr Ted Gott p18.
Colony [exhibitions: Colony: Frontier Wars and Colony: Australia 1770-1861] p20.
Making our mark: a short guide to participation in contemporary art / Donna McColm p26.
Time [Triennial themes, time and movement] p30.
Paulina Olowska p34.
Hassan Hajjaj p38.
My NGV [Nendo chairs and Japanese design] / Glenn Adamson p50.
Women in design / Sigrid McCarthy p54.
Movement [Trienniel theme] p58.
Formafantasma / Justin McGuirk p60.
Yayoi Kusama flower obsession 2017 p74.
Zanele Muholi: hail the dark lioness p76.
Mass [Ron Mueck's skulls Triennial] / Alice Pung p86.
Creative sparks [Bob Waardenburg, Marcia Nolte, Stijn van der Vleuten: We Make Carpets] p90.


MAY 2018:
Making news [The field revisited, Japonisme: Japan and the birth of modern art, International Audience Engagement Network, Baldessin/Whiteley: parallel visions, NGV Triennial 2018 Triennial wrap up] p11.
Past and present: the Salon Gallery at the NGV [John Schaffer Gallery] / Isobel Crombie p18.
A short history of the salon exhibition / Ted Gott p23.
Zoffany and a dutiful daughter [Johan Zoffany's work Roman Charity in the Salon Gallery] / Stephen Foster p24.
Collection appeal [Dali, Trilogy of the desert: Mirage 1946] / Caroline Buckley p26.
MOMA at the NGV p32.
Exhibition: A modern life [tableware 1930s-1980s] / Amanda Dunsmore p52.
Telstra creativity and innovation series: Marcus Fairs p56.
Museum life [Robert Lee Davis and Annalise Bosnjak] p60.
An un-resettling history / James Tylor p66.
Dixson collector's chest: two perspectives p70.
Thung-Ung Coorang / Maree Clarke p72.
Creative sparks [Samantha Friedman and Juliet Kinchin] p82.
Rirkrit Tiravanija p84.
Last word [Ben Landau and Lucile Sciallano] p94.

JULY 2018:
Happy birthday NGV International turns 50 / Phil Murray p18.
Exhibition: The Field p26.
Research: modern paints and The Field / Raymonda Rajkowski p30.
Exhibition: Robert Hunter: process and painting in the aftermath of The Field / Angela Goddard p32.
Tiffany Studio: Clara Driscol p36.
Framing: the bigger picture [frame making from the seventeenth to the twentieth centuries] / Michael Varcoe-Cocks p40.
Now on view [The Buller Presentation Flask] / David Hurton p50.
Revisiting the Field p54.
NGV voluntary guides p58.
Museum life [guides: Graham Ray, Pam Freeman, Judy Davey and Claire Zhang] / Dr Michael Schwarz p73.
Creative sparks [Normana Wright] p76.
NGV contemporary p94.

Formerly Gallery


Vol.18 SEPTEMBER 2019:
Shirin Neshat: dreamers / Katharina Prugger p16.
In his own image [Richard St George Mansergh] / Matthew Skic p20.
Her paintings of nudes were seen as decadent and were often hung behind the gallery doors [Mary Cockburn Mercer] / Petra Kayser p24.
Kaws: companionship in the age of loneliness [Brian Donnelly] p30.
Civilization: the way we live now / William A. Ewing and Holly Roussell p38.
Zaha Hadid: wave sofa / Suzi Shaw p48.
Trajan and the widow: a cassone panel / Ted Gott p52.
Eva Zeisel: playful search for beauty / Amanda Dunsmore p56.
An Afghan storyteller's cloth / Annika Aitken p62.
I've been cooking for as long as I remember being me [Paul Charmichael] p68.
Dressed to impress [clothes in art: William Larkin Mary, Lady Vere, Thomas de Keyser Frederick van Velthuysen and his wife Josina 1636, Giambattista Tiepolo The Banquet of Cleopatra, Johan Zoffany Elizabeth Farren and Hermione in The Winter's Tale] p72.
A silent invisible conversation [art and the audience] / Cate Kennedy p78.
Fashionably pink [habit a la francais 18th century] / Danielle Whitfield and Skye Firth p84.
Terracotta warriors and Cai-Guo Qiang p108.

Vol.19 NOVEMBER 2019:
Tammy Kanat / Paola Di Trocchio p16.
Camille Henrot / Jane Devery p20.
Collection: Spring, from the four seasons p23.
One suggestive moment [Petrina Hicks: Bleached Gothic and Olympia: Photographs by Polixeni Papapetrou] / Isobel Crombie p30.
Life is but a dream [Olympia: Photographs by Polixeni Papapetrou and Alice in Wonderland] / Olympia Nelson p34.
Polixeni Papapetrou / Susan Van Wyk p36.
From the NGV to the Tate: the misunderstood William Blake / Martin Myrone p40.
William Blake's Virgil Wood engravings / Louise Wilson p42.
Me and my muse / Kim Devereux p52. Pieta p58.
The archer [Mortimer Menpes, The Archer c.1897] / Petra Kayser p62.
Framing Archer / Holly McGowan-Jackson p65.
The intricate designs of Lisa Waup / Hannah Presley p72.
Josh Muir animated / Kayla Clinch p76.
Marking time: indigenous art from the NGV / Judith Ryan p78.
Transcript [Nora Heysen official war artist] p80.

Vol.20 JAN-FEB 2020:
Two of New York's most iconic artists: Jean-Michel Basquiat and Keith Haring p16.
Three decades on: Haring's mark on Melbourne [Haring's mural on the NGV waterwall] p34.
Collingwood's Keith Haring mural / Hannah Mathews p36.
Basquiat, Untitled p40. New York City in the 1980s and 1990s: through the eyes of L.A Chandler p52.
Australian framing royalty: Lillie Williamson / Holly McGowan-Jackson and Jessica Lehmann p58.
James Lemon takes us through his creative process / James Lemon p62.
Artist profile: Ivan Durrant / David Hurlston p66.
As she appears: the muse in art / Angela Hesson p19.
Moga: the audacity of being a modern girl / Mariko Nagai p76.
The paper boy 1888 [Ada Fuller] / Mchael Varcoe-Cocks p80.
Roger Kemp: visionary modernist p106.

No.21 MAR-APR 2020: Melbourne Design week [2020] p19. Melbourne Art Book Fair [2020] p26. Leading the change: women in publishing [Beth Wilkonson--Lindsay Magazine, Olivia Radonich--ReadingRoom, Daphne Taranto--Fully Booked, Fayen d'Evie--3-ply, Renee Ting--Singapore Art Book Fair] p30. Yhonnie Scarce and Edition Office [Architects: Aaron Roberts & Kim Bridgland, art piece In Absence] p37. Blak lik mi [Destiny Deacon, whose art is being exhibited at NGV starting on 27 March 2020] / Myles Russell-Cook p42. Her story: A closer look at the experiences of women in the NGV Collection [Constance Jenkins, Mary Beale, Jenny Watson, Elizabeth Louise Vigee Le Brun, Lucy Kemp-Welch, Ruth Hollick, Sonia Delaunay, Maria Margaretha la Fargue, Eva Hesse, Seulgi Lee, Lily Karadada] p50. Library and archives: the Seymour Album [recent edition to the NGV's Shaw Research Library, an album assembled by suffragette Isabel Seymour] / Sigourney Jacks p62. Unworldly goods [religious influences on design of objects, specifically on items in the NGV collection] / Glenn Adamson p69. Artist profile: Pirjo Haikola p74. Legacies: Keith Haring and Jean-Michel Basquiat p80. Art for Change: World AIDS Day [2019] p84.

No.22 MAY-JUN 2020: Art everyday: community, connection, emotion, empathy, love / Tony Ellwood p16. The science of colour [working with colour in conservation] p19. The gilded frame / MaryJo Lelyveld p19. Textiles: finding the perfect match / Skye Firth p21. The artists' palette: pigments / Raye Collins p22. Tom Roberts She-oak and sunlight / Dr Angela Hesson p24. Woolgathering: fleck and fleece. On the nourishment of taking notice, again / Alice Bishop p26. Books and thinks: the sophistication and beauty of Korean art / Wayne Crothers p32. Bill Henson / Susan Van Wyk p45. David Hockney: The Second Marriage 1963 / Jonathan Dudley, security officer p49. Mark Rothko, Untitled (Red) 1956 / Susie May, educator p51. David Shrigley Untitled (Problem) 2014 / Ingrid Wood, educator p51. Lucio Fontana Spatial concept (Concetto spaziale) 1964-65 / Sophie Cross, fundraising assistant p52. Vernon Ah Kee If I was white 2002 / Kayle Clinch, Children's Programs Administration Assistant p52. Lee Krasner Combat 1965 / Mel Dixon, retail assistant p55. Bernardo Cavallino The Virgin Annunciate c.1645-50 / Elisha Buttler, Audience Engagement Manager p56. Jules Bastien-Lepage October (Saison d'octobre) c. 1878 / Sofie Johansson, Audience Engagement Operations Coordinator p57. Zanele Muholi / Santilla Chingaipe p58. Her story part two: Clara Southern An old bee farm c. 1900 / Sophie Gerhard p62. Lynda Benglis Untitled 1967 and Untitled 1971 / Meg Slater p63. Margaret Worth Fragment 9 1966 / Beckett Rozentals p64. Annie Beal Gothic chair 1907 / Angela Hesson p65. Hannah Bronte Umma's Tongue- molten at 6000 degrees 2007 / Sophie Gerhard p66. Inge King Rings of Jupier (3) 2006 / David Hurlston p67. Emotion and empathy [Ron Mueck's Mass 2016-2017] / Alice Pung p74. Artist profile: Hoda Ashfar / Katharina Prugger p76. In her likeness: recasting the stories of famous women in art [Edwin Lon Queen Esther 1878, Frederick McCubbin The Pioneer 1904, Adriaen Hanneman Mary Lucas 1636, Francois-Hubert Drouais Louise-Marie de France 1763, Alexander Roslin Anastasia Ivanova, Countess of Hesse-Homburg, Princess Trubetskaya 1757] p78. Decoding the 'Blackamoor' Brooch / Dr Maria Quirk p84. Jim Dine / Petra Kayser p89. Baubles look like bubbles: Grant Featherston and Nature [Grant and Mary Featherston Archive] / Sigourney Jacks and Julia Rodwell p92. Celebrating 150 years of the Victorian Artists' Society / Beckett Rozentals p98.

No.23 Jul-AUG 2020: Let there be love [NGV collection items that symbolise or are inspired by love: Robert Indiana Love 1965, Goffredo At The Tomb of Dudone, Ponch Hawkes no title (two women embracing, 'glad to be gay), Candice Breitz Love Story, Indian Laila Visiting Majnun 18th century, Master of the Stories of Helen, Antonio Vivarini (studio of) The Garden of Love, Cornelis de Vos Mother and Child] p14. I am taking photographs through sculpture / Tomoaki Suzuki p22. Making in isolation: how designers remained creative while working in solitude [Nicolette Johnson, Makiki Ryujin and Michael Gittings] p22. Just in: recent additions to the NGV collection: the Andree Harkness Gift p27. Ben Quilty, 150 year, Rorschach 2019 p34. Edwaert Collier / Ted Gott p38. Kait James / Hannah Presley p40. Wawiriya Burton / Judith Ryan p42/ Cai Guo-Qiang / Annika Aitken p43. Art and engagement in times of change [art and COVID] / Meg Slater p44. Inspire me: how seventy years of learning has transformed millions of bright minds [education] / Michele Stockley p50. NGV school support programs / Michele Stockley and Lucy Hanbleton p56. The travels, art and life of Elizabeth Keith / Annika Aitken p60. The magnetising Jolan van der Wiel / Jolan Van Der Wiel p66. Art in focus: Jacopo Amigoni Portrait group: the singer Farinelli and friends / Ingrid Wood p70. NGV teen council 2020 / Kayla Clinch p74. Community [Regina Pilawuk Wilson Syaw, Louise Hearman Untitled, Brent Harris Mirror #2, Pierre Auguste Renoir The Guitar Player, Philip Hunter Large plain 1] p76. Revealing Constance Stoke's woman in green / Raye Collins p80. At the threshold: design and life p82. Another side of Grace Crowley / Raye Collins p86. The artwork that changed me [John Brack Collins St 5pm Alice Pung, Joy Hester (Untitled) (Head of a woman with hat) Emily Bitto, Giambattists Tiepolo The Banquet of Cleopatra Peggy Frew] p92. The science of art: inside the NGV Conservation team / Jessica Lahmann p96. Art in focus: Samantha Hobson Calm Night...down at the beach 2008 / Jill Dwyer p100. A long relationship: The NGV and Victoria's regional art galleries / Donald Edgar p108.

No.24 Sep-Oct 2020: Discover me [gift to the NGV of seven Rembrant etchings from James O Fairfax] / Petra Kayser p14. Artist spotlight [Destiny Deacon] / Myles Russell-Cook p18. On collecting: the von Bullingen album of watermarks from the early nineteenth century / Louise Wilson p25. Five ferments about faithful reproductions / Roanana Gonsalves p30. Indigenous art: Tiwi / Judith Ryan p40. Timothy Cook / Judith Ryan p44. Le Monocle: queer gender expression in the early twentieth century / Meg Slater p50. Bew to the collection [Korean minimalism in ceramics] / Wayne Crothers p54. Iso Rae / Dr Angela Hesson p56. Elliat Rich's weaver mirrors / Ewan McEoin p58. The Royal School of Art needlework Poesis c.1880 / Dr Maria Quirk p60. Helen Frankenthaler / Donna McColm p64. The sketchers [Emma Ashmere responds to Grace Cossington Smith's The Bridge in-curve] / Emma Ashmere p70. What's in a name [artist unknown to artist once known] / Myles Russell-Cook p72. A sip around the world: tea culture in the collection / Annika Aitken p76. The articulate landscape of Thomas Clark / Caitlin Breare p84. Drawing real and imaginary worlds [ Yamagami Yukihiro, Jorge Mendez Blake, Olga Chernusheva, Richard Giblett, Riley Payne] / Katharina Prugger p88. This love of mine [David Richards and fashion] / Anna Kopinski and Danielle Whitfield p92. Japanese modernism / Annika Aitken p96.